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Several Vietnamese officials and diplomatic mission officials attended the opening ceremony of an exhibition of works by artist Chu Nhat Quang as part of a series of events at the Hanoi Tourism Festival to mark the 70th anniversary of the liberation of Hanoi on October 5, at the 70th anniversary of the Liberation of the Capital (October 10, 1954-2024).

The Sacred Marks exhibition opens on October 5.

The exhibition titled Sacred Marks includes works about Hanoi’s landscapes and famous relics, divided into four themes, Hanoi Times reported.

The Beginning, with 14 lacquer paintings, focuses on the still life genre, reflecting the artist's deep memories of the time he learned to make pottery. Each painting is a contemplation of the aesthetic values ​​of a simple but meaningful life.

The Origin includes 17 paintings, taking viewers to explore the heritage such as the Thang Long Imperial Citadel, Turtle Tower, One Pillar Pagoda, Thay Pagoda... In addition, with the image of Mother Au Co and the art of water puppetry, the artist evokes stories about the sacred origin and the silent sacrifice of farmers - those who have nurtured and preserved the long-standing culture.

The Soul with nine paintings, continues to evoke nostalgia for culture and heritage. The works are not only a reminder of the historical value of the nation but also a call to protect cultural heritage in the modern context.

The theme Cradle includes 12 paintings about the homeland, village communal houses, and puppetry art. The artist conveys the message of harmony between humans and nature and the hope of maintaining the precious traditional values ​​of the nation through many generations.

Chu Nhat Quang incorporates regional cultural elements into his paintings.

Chu Nhat Quang was born into a family with a rich artistic tradition. His grandfather, Chu Manh Chan, was a talented painter who has been involved in reviving and preserving the cultural heritages of northern villages through lacquer painting. His father, Chu Luong, was the former director of the Thang Long Puppet Theatre, according to VNS.

The family tradition has had a profound influence on Quang, particularly in his choice of subject matter. His childhood, steeped in traditional culture, served as a springboard for him to embark on the challenging path of lacquer painting.

He studied arts for eight years in the US and Australia and the time studying abroad, he said, has provided him with many experiences, which explains why his artistic style is a blend of traditional and modern cultures.

Chu Nhat Quang depicts the tranquil scenes of northern Vietnamese villages, temples, rivers, puppets and mythical creatures like dragons, phoenixes, turtles and qilin.

A display of over 50 lacquer paintings at the UNESCO-recognized Thang Long Imperial Citadel will honor traditional lacquer art and reflect the capital's rich cultural and historical heritage.

At the opening ceremony, the guests and participants enjoyed the performance of traditional Vietnamese musical pieces, viewed paintings of the imperial citadel reflecting cultural heritage and depicting Vietnam's landscapes and landmarks in an artistic style combining traditional and modern.

Art enthusiasts in Hanoi will have a chance to contemplate Chu Nhat Quang's artworks at his first exhibition, held at the Thang Long Imperial Citadel on October 10, the anniversary of the liberation of the capital city.

By combining visual art with performance, the exhibition aims to create a holistic journey through Vietnam’s cultural evolution, demonstrating that these traditions are not merely historical artifacts but living practices that continue to inspire and educate future generations, says Chu Nhat Quang.

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